This song is the kind of song to bang your head to in a goth club. The vocals punchy and aggressive, this is one of DM's best singles. "The Love Thieves": Now this is a very sad and kinda jazzy song. It was featured in the TV show "La Femme Nikita" and was used very expertly to portray a brooding character. #DEPECHE MODE GREATEST HITS FLAC TORRENT TV# Very appropriate, and the song just fits those moods of sad solitude. The kind of song to listen to after a bitter breakup. It's sadness is the type that just might uplift your spirits. "Home": Beautiful is all I have to say about this song. When I first heard this song, I at first thought DM was some brand new band with that Zoo-TV image that U2 cultivate in the early '90's. Not too far off, except this song revels in its dancehall beats and sonic darkness. This is the song that started my obssession with DM, and it will forever remain my second favorite song by them (next to "Enjoy the Silence"). "Useless": Tin Simenon's influence can be heard especially on this track, as it is very reminiscent of Curve, another band Tim has worked with.
"Sister of Night": Now this song is a guilty pleasure. It is perhaps Gahan's best vocal performance on the album, and ironically it is the last song he ever performed while still under the influence of drugs. While it is wonderful that his much publicized bout with heroin is over after this song, there is still something to be said about the passion in his voice on this song. The guitars are very edgy, and the use of acoustic slide is just impressive. A very underrated song that should've been a single. "The Bottom Line": Gore's other vocal on the album, and probably the closest DM will ever get to recording a country song, and it's still based in their distinguishably gothic synthesized style. A qunadary of a song, but still worthy of DM's talents. "Insight": The return of that gospel sound that made "Condemnation" and "Get Right With Me" great, trimmed down to an inspirational closer that ends the album on an upnote towards DM's future without Wilder, without Gahan's drug problems, and without the obstacles of arrogant youth. Only the clear road of musical excellence and mature progression. The instrumental breaks, "Uselink," "Jazz Thieves," and the hidden track, "Junior Painkiller" (which can be heard in it's full version as the B-side to "Barrel of a Gun") are reminiscent of the interludes from "Violator," but with that atmosphere that surrounds this album with musical passion.
#DEPECHE MODE GREATEST HITS FLAC TORRENT FULL VERSION# "Ultra" is without a doubt the best album DM have ever released, both in terms of the songs, the music, and the band itself. #DEPECHE MODE GREATEST HITS FLAC TORRENT TV#.#DEPECHE MODE GREATEST HITS FLAC TORRENT FULL VERSION#.
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